Growing up in Cradock: Memories of the Afton Theatre
My earliest memories of the
Afton Theatre are from the late forties.
Sometimes in the summertime, my daddy would lead the family from our
Cradock Gardens castle on Rodgers Place on the mile-long trek to the Afton
for the 7 pm Thursday night movie. It
was a special family treat. The first
Afton movie that I remember was on a summer night in 1948, “The Boy with
Green Hair”, with grownups Pat O’Brien, Robert Ryan and Barbara Hale and Dean
Stockwell playing the boy. A few years ago, when I found this sappy film on
TV I was melancholy at the memory. The
melancholy comes with age. The movie was terrible. On most wintertime Saturdays my closest childhood
friend, Floyd Parker, CHS ‘59 and I would go see westerns and serialized
dramas that were in vogue in the early fifties. We collected soft drink bottles discarded
along the highways, returned them for a 2-cent deposit, accumulated enough
for popcorn and candy, and treated ourselves to a fine afternoon at the
flicks. In those days, we rode bikes
the mile from our Cradock Gardens homes and parked on the sidewalk in front
of the Afton. We rarely missed a movie
and never missed a western in ‘51 and ‘52.
In the early fifties to satiate our by now full-blown
movie fixations, Floyd and I and sometimes my younger sister, Nancy, went to
the movies in downtown Portsmouth.
Floyd’s mom, Ruth, worked for WSAP Radio (later WAVY) in the
Professional Building at High and Washington Streets. As often as not on Saturdays in the
wintertime Ruth, driving her 1951 gleaming white Dodge, would drop us off at
the State, the Colony, the Port, the Gates, the Virginian, or the Commodore
for a two-hour feature western treat with a Durango Kid, Superman or Flash
Gordon serial, plus a cartoon feature thrown in as a special bonus. Afterwards we rode the bus back to
Cradock. We were more fortunate than
the many kids who brought the unwanted gift of ringworm away from those
Portsmouth movie houses. My first and only high school date was at the
Afton. I walked from my house to
Williams Court to escort my date, to the movie house. We walked, holding sweaty hands; mine were,
down Aylwin Road to Afton Parkway, then to the theatre. I folded my blue jeans, cheap dungarees, at
the bottom with a “pegged” look, in-style dressing at the time. The date cost
less than a buck. We walked home over
the same route. I was 14; she was
younger. It was a misadventure, not
much fun. If I had repeated that experience
too many times, it would have broken me from ever dating again. My next Afton Theatre experience was even
more traumatic. It ended high school dating for me, maybe a blessing in
disguise. Two years passed and in junior year, I started as ticket
taker, candy man, marquee changer, popcorn sales clerk, and handyman at the
Afton Theatre. Precise employment
dates are forgotten, but it was between late winter 1955 and springtime 1957,
a little more than a year. The
theatre manager was a young man from North Carolina, Ray Wilson. My CHS 57 classmate, Richard Rush, was
assistant projectionist and Eddie Burton, who worked in the Navy Yard during
the day, was head projectionist.
Horace Jones, managed the Afton Dry Cleaners and visited the theatre
practically every night after he closed the cleaners. Mr. “J” was the manager of the Afton from
its opening night in 1937 into the late forties. His son Dick was in band with me, a school
grade ahead and his son David a few years behind. Joe
Bryant, later known as Joshua Bryant of stage screen and acting fame-CHS ’58,
was a class year behind me at Cradock was the theatre candy man that I
replaced and Ronnie Creamer (CHS ‘58) took this great job when I left in the
spring of 1957. I
earned $18.00 a week for a seven-day schedule, two shows a day, weekdays and
four shows a day on the weekends. I
remained until the show ended to help close the place for the evening, but
some nights when the attendance was low, I would close up the concession
stand and get away early to take in the Cradock night life, about which more
later. I supplemented that sum with a Virginian Pilot, morning paper job, 210
papers-$35.00 per week. I sold papers
at George Washington Highway and Victory Boulevard in front of K. G. Darst’s
ESSO Station, later operated by Mac McLean. Nathan Novack, CHS 56, who
married Peggy Sims, CHS 57, and then his brother Charles, “Poochy”, CHS 56,
held that particular paper sales job before me. I had this job from the end
of my freshman year until I went to college.
I was certain that that I was on my way to great wealth. Surely, that $53.00 per week in wages was a
sign I would one day be in the big money.
That is not what worked out. During
my year or so in “show business”, I gained 50 pounds from 135 to 185 partly
because of genetic engineering and the normal maturation process but mostly
because of the enormous quantities of popcorn stuffed in seven days a
week. An extra batch of popcorn every
night for me was a part of the jobs benefits and I ate nightly until I walked
with a duck-like waddle. What a treat!
Also in that brief career near the silver screen I
viewed 240 feature films of the era.--"Creature from The Black
Lagoon"; “Anastasia”; Gary Cooper and Gary Cooper in “Friendly
Persuasion”; Glenn Ford in "Jubal";
“Helen of Troy’ with the most beautiful woman I had ever seen, Rosanna
Podesta; many horse operas and musicals.
After seeing a film four to six times, I memorized many of the actor's
lines and embarrassingly I have used some of them for the rest of my
days. The job nurtured my lifelong
love of movies, actors and entertainers. The movie schedule was the same for years. A feature
played Sunday and Monday, then another Tuesday and Wednesday, then a special
one night show for Thursday which was also Jackpot Night, where some lucky
Thursday night moviegoer won a jackpot drawing prize if in attendance at the
9 PM drawing. Winning the “Bank Night
in the village” jackpot prize was a big event in someone’s life. Some of the Jackpot prizes were near
$100.00, no small change when a mechanic’s job at the Navy Yard earned less
than three thousand dollars a year.
Finally, there was a Friday and Saturday feature, more often than not
a western, which also included a cartoon short subject and a serialized
short. Movietone News Supplements, where we all caught up on
the news of the week, supplemented most of the feature films for Friday and
Saturday. Four times each week, the
marquis had to be changed and I delivered movie posters to the stores in
Afton Square to display in their storefront windows whenever a feature
changed. Occasionally,
when Richard or Eddie, the projectionists, needed a break for supper or a
bathroom pit stop, I operated the movie’s carbon-arc projectors for those
brief periods. The carbon rods were
replaced often. The film was split up in about 20 minute reels usually 5 to
6. When it looked like the rod would
not make it, we would change it. It was a gamble if you had a short reel if a
small rod would make it. These ran on an AC to DC motor generator. Projectionist work required a far higher
skill level than “candy man” and I knew my place. Richard had by far the best job for a
schoolboy because he could study and do homework up in the projection room
away from the public. The popcorn/candy man/ticket taker was too much in view
of moviegoers to study. Popcorn
was a dime, candy was a nickel and admission to the movie was fourteen cents
for Cradock's children. I think adult movie rates, I got free admission, was
a quarter. Candy favorites in 56-57
were Juji Fruits, Jujubees, Dots, Good'n Plenty, Caramel Creams, and Necco
Wafers were in vogue. My time late nights, after the movie shift, was whiled away
in Slim Foster’s Pool Hall with often with my pal Curt Spear, CHS 57,
(“Trouble, trouble, trouble right here in River City”). Slim’s was located across from Chapman’s
Meat Market one doorway from the corner of Farragut and Afton Parkway. Pool attracted Donnie Whitesell, Jimmy Moy
and Mickey Mixon to name a few of the small town hustlers I admired during
that too brief era. The pool hall was
unsanitary and air-conditioned in the bathroom by virtue of a large hole in
the floor next to the commode. Slim, the gnarly proprietor used the hole in
the floor as a spittoon for his always-present tobacco plug. If you played on any pool table but the
front table, you needed to adjust your aim for the tilt of the table and the
sagging floors. My
memories of those Afton Theatre days are good, maybe not as clear as some
others, and it is certain that the two jobs wrecked my scholastic
career. I was up at 4:30 am to peddle
the Virginian Pilot on the corner of George Washington Highway and Victory
Boulevard to Navy Yard workers. I went
home to sleep after walking home down Prospect Parkway, through the James
Hurst schoolyard to Cradock Gardens after the movie closed near 11 pm. These long hours made for a full schedule
during the week, when I was dozing in class through my junior and senior
years. My last day in the Afton Theatre was
also my last on the candy-clerk job in May 1957. It closed in the eighties for lack of
profits and its run-down physical condition.
An effort has been made a few years ago to raise funds to restore the
old movie house rather than tear it down.
The Mayor and city leaders supported volunteer fund raising effort to
bring the Afton back to a useful community purpose. No matter what, The Afton is a part of
memories of growing up in Cradock. revelerbk@cox.net |